Boy, did this week go by fast. So fast, in fact, that some of my things to do…went seemingly undone. I managed at the very least to give myself a spring pedi before rocking my new sandals and finally stopped talking the talk and joined the Brita family (yes, I was a slave to bottled water). No worries though, sometimes you just need to take it easy. Something that doesn’t come naturally to my slightly O.C.D., perfectionist-driven personality. I have to say, one of my favorite nights this week was simply coming home making my famous (Pinterest stolen) baked garlic chicken with a chopped side salad for dinner and settling in to watch Lolita, one of Stanley Kubrick’s films that I wanted to catch-up on after checking out the current exhibition at the LACMA a few weeks ago.


While the week went by fast, it halted altogether when I heard the sad news of Roger Ebert’s passing. My heart raced as I absorbed the headline and was instantly transported to when I used to sit and watch him agree to disagree (or agree to agree) with Gene Siskel and later Richard Roeper on Sunday nights “At the Movies.”  With much bias, I tended to trust his judgement whenever he gave a “thumbs up” or “thumbs down” in his film analysis. I was deeply saddened when I realized the balcony really is closed. Rest in peace, Mr. Ebert. From one film enthusiast to another, I always enjoyed being “At the Movies” with you.



My life has been filled with so many stories and so much storytelling this week. Aside from the amazing Stanley Kubrick exhibition that I saw recently, I’ve been immersed in three other narratives that have not only entertained, but brought out my deeply contemplative personality.

I‘ve been delving into “The Up Series,” a documentary that checks in with a group of British people once every seven years (beginning at age 7). I’m just now catching up on the other parts of the series in order to see the most recent installment at age 56. Meanwhile, any time I’ve spent sitting in traffic has been accompanied by an audio book, Iyanla Vanzant’s autobiography “Peace From Broken Pieces.” I’ve been on such an emotional roller coaster listening to her story and it’s made me really stop and think about my own life and how my experiences have shaped how I now am as an adult. And finally, because I love a good fiction read to satisfy my imaginative side, I’ve been spending lots of down time absorbed into Stephenie Meyer’s, “The Host.” I’m halfway through and should make it just in time for the film’s release next weekend. 

Interestingly, as I absorbed these narratives this week – ranging from autobiographical to purely science fictional, they all somehow intertwine in theme. What I’m learning is that it’s amazing how we grow and change, yet remain the same at our core. As a result, it’s those  demons we struggle with as we move about our day-to-day because of those established core characteristics.

While I spent a lot of time engaged in stories, I managed to come up for air to have a very productive week. Taxes are done, I took a more challenging yoga class (for which I’m now feeling the sore effects), my goal to incorporate more fresh fruits and veggies into my diet is going well, and a few spring inspired happenings paid off in small ways.

Have a great weekend.

This week’s highlights…

SIP| coffee & milk


Prior to checking out the Stanley Kubrick exhibition, it was a nice treat to grab an iced mocha from the LACMA’s on-campus coffee shop, Coffee & Milk, and sit outside in the sunshine for awhile. I had my reservations about the place when I was told they don’t offer vanilla/flavored syrup so as to “not affect the flavor of the coffee” but I could order a mocha instead – which in my mind is still considered flavoring so I didn’t quite see their argument.  Anywho, after doctoring it up some myself (more sugar and milk was needed) – I forgot all about that nonsense and got ready for an exciting day ahead – caffeine fix in place.

SHOP| farmer’s market


A stop at the farmer’s market yielded great rewards on the produce front that I’ve been happily enjoying all week.

EAT| tavern ham & vegetable salad


A memorable lunch earlier this week. The best part? The champagne vinaigrette dressing. Yum!

GIFT| flowers


The gift of Spring from a friend that brightened my day.

Stanley Kubrick at the LACMA


Location: 5905 Wilshire Boulevard, Mid-City West


Of all the museum banners currently lining the streets of L.A., the infamous face of Jack Nicholson crazily gazing to his left from a scene in the cult classic, The Shining; and the still of a young Michael McDowell as Alex in A Clockwork Orange, catches your eye immediately. Admittedly, I’ve seen only the very basics of Kubrick’s famed filmography –  where oftentimes I found myself very visually stimulated, but had some trouble grasping and melting into the narrative when studying him in film school. What I appreciated about what the LACMA did through their current special exhibition, was introduce me to the other facets of Stanley Kubrick and, even better, it gave me a renewed sense to delve further into his catalog and explore it once again.


Stanley Kubrick, regarded as a pure auteur, started out as photographer, then documentary filmmaker,  before taking the reigns of scripted storytelling with his first feature film. The Los Angeles County Museum of Art did a phenomenal job capturing the career of a legend.


{Gallery entrance.}

You’re welcomed into the exhibition with a large montage of his films precisely edited together on a loop before heading into the main gallery to learn of his early beginnings and take (what took us) the nearly 2.5 hour journey through 16 different projects. The space is more than adequately filled with photos, cameras, lenses, posters, archival footage, costumes, props, set models, notebooks, scripts, sketches, and even his research materials.


{Production photo slide – Lolita.}

I thought the LACMA’s approach of creating a flow as you moved around the galleries was appropriate and added a mood to the experience that brought the visitor directly into the exhibition. During the exploration of his earlier war and noir based films, the galleries were dark and somber. As we moved toward the future in 2001: A Space Odyssey everything suddenly became overwhelmingly stark and bright. When we hit the galleries exploring horror themes, the carpet turned red. In essence, the attention to detail was not missed.


{Typewriter, The Shining.}

There are two main things I’ll take away from the Stanley Kubrick exhibition: One, an elevated appreciation for him as a filmmaker who undoubtedly took his craft very seriously. This was seen in the extensive notes marked up on various scripts presented throughout the entire show. It was seen in his dedication to an unaccomplished film project, Napoleon, where the LACMA exhibits mounds of research materials Kubrick culminated during the development stages of the project. And two, because of the spotlight brightly shining on his career achievements (and failures) through this wonderful retrospective, my hope is to be able to re-visit those films with more educated, older, and now wiser eyes. Perhaps this time, I can melt into them a little deeper.

I encourage you to visit soon if you can, and take in Kubrick in a way that you likely never have before. The exhibition runs until June 30th.

COSTUMES // SpartacusA Clockwork Orange, The Shining



PRODUCTION EQUIPMENT // Mitchell BNC camera, Carl Zeiss high speed lenses



SET MODELS // The Shining, 2001: A Space Odyssey