Me and Celeste and Jesse Forever

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Though the title of this post is rather dramatic (catchy though, huh?), one of my unexpected favorite films of 2012, Celeste and Jesse Forever is the epitome of one of those cinematic experiences that I’ll never forget; so much so that I’m still reveling in the residuals of its effects on me as a fellow Angeleno seven months after seeing it. The film not only introduced me to arguably the best soundtrack of the year, it also captured the complexities of relationships humorously and touchingly; and better yet, captured the essence of Los Angeles in some of the best cinematography I’ve seen of the city in some time. It even inspired me to finally take a tour of the Walt Disney Concert Hall.

I followed the seemingly complicated efforts to get a digital release of the album made available and after hearing the news a few months back from the Music Supervisor himself, Jonathan Hafter, (gotta love the power of the blogosphere, you can read more here) – I finally purchased the soundtrack from iTunes. Unfortunately, some of my favorite songs weren’t included on the official soundtrack release, so I bought all of the singles (noted on a Spotify playlist) separately. Let’s just say I spent a great deal of this insanely gorgeous L.A. weekend vibin’ out the likes of Sunny Levine (my new fav), BLO, and Vetiver among others.

Soundtrack Links:
iTunes
Spotify

I see hundreds of films every year. There are tons of characters and stories that stick with me as a result, and my devotion to all things cinema oftentimes leave me in a state of never committing to having a single favorite. (Til this day, I cannot answer that question, it gives me a headache even attempting to do so.) Sometimes there are those stories that unexpectedly open your eyes to new things and this is one of those films. I can’t explain why – some hit you harder than others. Perhaps it’s because you were in the right mood, at the right place, at the right time. I walked into this story thinking at best, it would be a fun popcorn flick. I certainly didn’t expect it to resonate so much.

If you’re looking for new tunes (which I happen to listening to as I write this post!) and a great independent film, join me and Celeste and Jesse Forever. 🙂


{Film review excerpted from a previous post.}

Celeste & Jesse Forever – This was one of those films that I left the theater with such a high thinking THIS is why I LOVE movies. Celeste and Jesse are the best of friends, but terrible as husband and wife. The story picks up with their struggle at sustaining a friendship while in the midst of a divorce and pursuing other romantic interests. Rashida Jones (Celeste) and Andy Samberg (Jesse) have such a fluid and natural on-screen chemistry between them that drew me in immediately. What I was most enchanted by was not only the precise well-written dialogue; but the indie feel to how this narrative was told through its stunning salute to another main character, the sweeping city of Los Angeles, via its cinematography choices. I experienced almost every major emotion in 90 minutes of being in Celeste and Jesse’s world and I didn’t want to go. I laughed, felt my eyes water, and smiled at the very complicated, yet entertaining and relatable situation. This is also the first film I’d seen in quite some time where the music was used so impeccably it enhanced the overall experience of the film and introduced me to some of my favorite music of the year. If I had to pick my top film of 2012, this would be it (or closely tied with Zero Dark Thirty).


{Trailer.}



Highlights

As I think about the last 7 days, I think about how all over the place it’s been emotionally. I’ve been enjoying the residuals of a good spring cleaning, yoga was a much-needed hour and a half of “me time” this past Tuesday, and I’m still thinking often of our friends in Boston and worldwide.

A few ordinary nights were spent exploring what’s new in cinema. I saw Robert Redford’s film, The Company You Keep (wait for Netflix on this one); and a new documentary, No Place On Earth, capturing the story of the Stermer family’s struggle to hide underground during World War II in a calculated effort to elude the Nazis. It’s a pretty amazing story. I didn’t particularly care of the use of re-enactments, but then again, I suppose there was no other way to tell such an incredible journey of living in a cave for a year and a half.

The good news? It’s going to be gorge this weekend in L.A.! Looking forward to a relaxing and fun-filled 2 days. I’m kicking it off by meeting a friend tonight for dinner at one my favorite places to indulge in. A visit to the farmers’ market Sunday morning is definitely in order, and I’m excited to start a new book. I’m going to keep it light this time with Rachel Bertsche’s memoir, WMF Seeking BFF: My Yearlong Search for a New Best Friend. I’ll let you know how it is.

Have a great weekend!

Vegucated

An interesting subject matter, a clever title, and a lazy Sunday morning perusing Netflix lead me to Marisa Miller Wolfson’s documentary, Vegucated. The film explores the ins and outs of transitioning from a meat-eating diet to a vegan lifestyle. Three New Yorkers take on a 6 week challenge to get “vegucated” – learning what it means to be vegan from physiological, ecological, and ethical standpoints.

It’s obvious moments into the film that high-end production equipment nor a large budget were factors in telling the journey’s of Tesla, Brian, and Ellen; the subjects selected to engage in a new vegan way of life. The ease and access of digital film making are appropriately used given the parameters of the challenge, though were distracting at times. In essence, while not absolutely necessary when the goal is to educate, the look to the film was somewhat uninspiring. I’m sure this was intentional and in line with Wolfson’s vision to state the facts and tell the story through a guerrilla-style technique. I suppose this is merely my creative perspective – but when following subjects around the fast-paced New York City streets, more of a polished and stylized film might have worked better for my taste.

When approaching the content, the film does what any “food themed” documentary film would do when trying to persuade its viewers toward a new perception: shed light on why this perception is better; share how relatively easy it is to incorporate change; and then beat us over the head with visuals, a few statistics, and graphics to support this new way of thinking and why common practice is wrong. In this case, Vegucated did a nice job of keeping my interest. It did lack some concrete nutritional information, such as how the body responds when that type of protein is suddenly removed from your diet; and it seemingly glazed over how difficult transitioning would be for the typical American other than Tesla’s struggle, where they simply instruct her to try going “vegetarian” as an option. Not bad advice, but I’m surprised there wasn’t a real breakdown of any of our subjects shown on-camera. You’re essentially asking someone to give up a lifestyle that took 20, 30 or even 40 years to develop.

Where the film does excel, and is a common gimmick used when trying to be persuasive about meat-eating diet changes, is spending quite a bit of time highlighting the horrific practices of slaughter houses and exposing the harsh daily treatment of animals in general. (As such, I strongly suggest not eating during the film.) Of course, visuals of baby chicks being thrown alive into grinders, cows being shot through the head with a bolt gun, and watching a pig being killed and then skinned would be the strongest means to get your message across.

What I found confusing and therefore weakened the premise of the film – which I understood was to get people to see how you’re supporting the betterment of the planet, animal-kind, and yourself by adopting a vegan lifestyle – Wolfson oftentimes brings up vegetarianism. By all means, this is still an excellent option that one can explore if veganism is too extreme, but I fail to understand how you can shed light on both diet forms if your core belief is to save animals from harsh treatment? One should not eat meat because of the slaughter practices, but it’s acceptable to drink milk even after it was just shown how exploited female cows are to produce it? While certainly linked in many aspects, being a vegetarian and a vegan are two completely different practices.

At the end of the film, she highlights many famous vegans, “mostly” vegans, and vegetarians from Susan B. Anthony, to Gandhi, to Rosa Parks, to everyday people. What eventually strengthened her approach by intertwining vegetarianism and veganism, was a short line that stated “you don’t have to be an activist or famous to make a difference.” From this I gathered that the point is to make some sort of contribution, at whatever level you’re comfortable with.

In the end, what Wolfson did for me as a viewer is what I believe her intention was in creating Vegucated: to get you to think about your place in the world relative to your dietary choices. In this, she succeeded. I have a largely chicken-based diet. I like a good burger or slice of bacon here and there, but do consciously work to maintain a healthy plant based diet. This isn’t a huge struggle because I actually LOVE vegetables. I don’t see myself becoming a hardcore vegan anytime soon, but the film has inspired me to incorporate more of its practices into my daily life. As of writing this post, I’m still thinking about what that means for me.

If you find yourself home on a lazy Sunday morning, check out Vegucated (available on Netflix) and let me know what you think…

{Trailer}.

Highlights

Boy, did this week go by fast. So fast, in fact, that some of my things to do…went seemingly undone. I managed at the very least to give myself a spring pedi before rocking my new sandals and finally stopped talking the talk and joined the Brita family (yes, I was a slave to bottled water). No worries though, sometimes you just need to take it easy. Something that doesn’t come naturally to my slightly O.C.D., perfectionist-driven personality. I have to say, one of my favorite nights this week was simply coming home making my famous (Pinterest stolen) baked garlic chicken with a chopped side salad for dinner and settling in to watch Lolita, one of Stanley Kubrick’s films that I wanted to catch-up on after checking out the current exhibition at the LACMA a few weeks ago.

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While the week went by fast, it halted altogether when I heard the sad news of Roger Ebert’s passing. My heart raced as I absorbed the headline and was instantly transported to when I used to sit and watch him agree to disagree (or agree to agree) with Gene Siskel and later Richard Roeper on Sunday nights “At the Movies.”  With much bias, I tended to trust his judgement whenever he gave a “thumbs up” or “thumbs down” in his film analysis. I was deeply saddened when I realized the balcony really is closed. Rest in peace, Mr. Ebert. From one film enthusiast to another, I always enjoyed being “At the Movies” with you.

WAR / Photography

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Location: 2000 Avenue of the Stars #1000, Century City

I walked into this exhibition expecting at the very least to be emotionally challenged when coming face-to-face with the realities of war violence in a very direct and visually compelling way; to see a side of photography that I have never personally explored outside the occasional graphic or heart wrenching photo released in the media.

WAR/Photography: Images of Armed Conflict and its Aftermath is the newest exhibition at The Annenberg Space for Photography that examines the imagery of war and its consequences. 75 photographers whose lenses have captured war as early as the Mexican American War in 1847 to the Libyan Civil War that ended in late 2011 are profiled.

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What I appreciated about this moving experience, was the structure in telling the narrative. Rather than displaying photos together by specific wars, the curators opted to tell the story of conflict, collectively, as an arc. As such, the presentation begins with the advent of combat, disclosing images that illustrate the exact moment that provokes a war; to memorials and remembrance, sharing the aftermath of destruction, death, and survival. Between these concrete bookends of beginning and end, the show spends time forming a powerful narrative arc by navigating areas such as: recruitment, rescue, the fight, daily life, post-traumatic stress disorder, medicine/triage, prisoners of war, refugees, impact on children, how faith/religion are handled, and even burial procedures among many other dynamic themes.

One of the first questions that came into my mind when I was first introduced to WAR/Photography, was why? Why do these photojournalists put their lives and mental well-being on the line to capture an image during live combat? Do we really need such graphic and melancholy pictures to know that war and violence is inherently bad? This is not to disrespect those who do choose to pursue the honorable career of war/military photography and have died in the process or any subject highlighted in the photos, but merely an honest thought that crossed my mind when approaching the content. I found my answer when watching the 30 minute short documentary complimenting the exhibition that loops in the main gallery space. When one photojournalist said that his aim was to “personalize war”  in an effort to “mature society” a light bulb went off in my head. The point, of course, is not only to document what’s happening (this I knew); but to visually humanize faces, names, family members, lives, cities, countries, people. This makes absolute sense to me. It’s a raw portrait of humanity.

Luckily, I watched the documentary before roaming the gallery. Having understood this fundamental observation for war photography straight from their mouths, I looked at the images in front of me with new eyes. Not to say that I wouldn’t have understood, appreciated, and respected the exhibition and its message without this explanation from the video; but I think getting to know some of the people behind the pictures and their purpose for risking their lives (and almost certain PTSD diagnosis) after having lived through such an ordeal for their mission to capture the story was inspiring.

I don’t know if it’s because it was the first set of photographs exhibited or perhaps because it’s still such a vivid memory in my lifetime as an American; but the 4 part picture series of the second plane heading toward the World Trade Center on 9/11, the North tower already in flames, capturing the exact moment that lead to the on-going War in Afghanistan, affected me immediately and set the tone for what would be a heavy experience as I made my way through the gallery.

I encourage you to see this exhibition. Beware, it’s graphic in nature – but an experience unlike anything you’ve seen. It’s disturbing, it’s infuriating, it’s moving, it’s humanizing. The exhibition runs until June 2nd.


{A trailer for the documentary complimenting the exhibition is below.}

Highlights

Happy Good Friday and a good Friday it will be.

After a rather hectic week of “fighting the man” in various areas of my life, I’m so looking forward to the next three days off to recharge. I’m the kind of person that will fight when things need to get done and I won’t let it go until it is (I don’t care if it’s over a dollar – it’s the principle!). While I always try to retain a level of diplomacy and politeness – I have no problem calling, emailing, stalking, and generally speaking my mind when something needs to be addressed. One of my pet peeves in life is when another’s personality is quite opposite to this and they’re not being responsive. I like people who get *crap* done! (I really wanted to use the other word, but want to keep things PG here). 🙂

As cliché as this statement has become, I’m a spiritual rather than religious person. Easter as a young child usually involved a huge Easter basket and a special homemade dinner where preparations started earlier in the day. I also recall watching parts of  “The Ten Commandments” on afternoon TV – not fully understanding what the heck I was watching because it was so long and they “spoke funny.”

Sadly, as an adult, I don’t have a ritual for this weekend, but totally respect those who do. It’s always nice to take time out to celebrate and reflect on what you believe in. If I had a choice, perhaps I would tackle watching “The Ten Commandments” again (with the subtitles on for clarity) after a leisurely Easter Brunch at Cafe Midi.

Have a great weekend and whatever your beliefs, I think this is a good time, as ever, to reflect on them.

My week’s highlights as we bid goodbye to March…


TREAT| gelato

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{Indulging in a few bites of my guy’s gelato. You get the treat without the guilt!}


EAT| cafe midi

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{Finally, I had brunch at Cafe Midi – it’s my favorite new place.}


SPRING| flowers

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{My first floral purchase for Spring  // The Spring Project is now underway.}


SHOP| farmer’s market

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{I’ve been on a serious farmer’s market kick lately. I enjoy starting out my Sunday mornings visiting a local farmer’s market and stocking up on fresh produce for the week.}

(This week: Studio City.}


EAT| lunch

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{I was so proud of my homemade lunch concoctions this week (lots of salads), thanks to my farmer’s market visit.}


SHOES| sandals

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{So my Audrey Brooke Wedges were too narrow for my feet (the risks of online shopping).  I went in-store to exchange them for these adorable Unisa Lenni Glitter Sandals.}


DVD| zero dark thirty

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{A sweet gift for my DVD collection from the BF and one of my favorite movies of 2012.}



Highlights

My life has been filled with so many stories and so much storytelling this week. Aside from the amazing Stanley Kubrick exhibition that I saw recently, I’ve been immersed in three other narratives that have not only entertained, but brought out my deeply contemplative personality.

I‘ve been delving into “The Up Series,” a documentary that checks in with a group of British people once every seven years (beginning at age 7). I’m just now catching up on the other parts of the series in order to see the most recent installment at age 56. Meanwhile, any time I’ve spent sitting in traffic has been accompanied by an audio book, Iyanla Vanzant’s autobiography “Peace From Broken Pieces.” I’ve been on such an emotional roller coaster listening to her story and it’s made me really stop and think about my own life and how my experiences have shaped how I now am as an adult. And finally, because I love a good fiction read to satisfy my imaginative side, I’ve been spending lots of down time absorbed into Stephenie Meyer’s, “The Host.” I’m halfway through and should make it just in time for the film’s release next weekend. 

Interestingly, as I absorbed these narratives this week – ranging from autobiographical to purely science fictional, they all somehow intertwine in theme. What I’m learning is that it’s amazing how we grow and change, yet remain the same at our core. As a result, it’s those  demons we struggle with as we move about our day-to-day because of those established core characteristics.

While I spent a lot of time engaged in stories, I managed to come up for air to have a very productive week. Taxes are done, I took a more challenging yoga class (for which I’m now feeling the sore effects), my goal to incorporate more fresh fruits and veggies into my diet is going well, and a few spring inspired happenings paid off in small ways.

Have a great weekend.

This week’s highlights…


SIP| coffee & milk

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Prior to checking out the Stanley Kubrick exhibition, it was a nice treat to grab an iced mocha from the LACMA’s on-campus coffee shop, Coffee & Milk, and sit outside in the sunshine for awhile. I had my reservations about the place when I was told they don’t offer vanilla/flavored syrup so as to “not affect the flavor of the coffee” but I could order a mocha instead – which in my mind is still considered flavoring so I didn’t quite see their argument.  Anywho, after doctoring it up some myself (more sugar and milk was needed) – I forgot all about that nonsense and got ready for an exciting day ahead – caffeine fix in place.


SHOP| farmer’s market

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A stop at the farmer’s market yielded great rewards on the produce front that I’ve been happily enjoying all week.


EAT| tavern ham & vegetable salad

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A memorable lunch earlier this week. The best part? The champagne vinaigrette dressing. Yum!


GIFT| flowers

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The gift of Spring from a friend that brightened my day.



Stanley Kubrick at the LACMA

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Location: 5905 Wilshire Boulevard, Mid-City West


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Of all the museum banners currently lining the streets of L.A., the infamous face of Jack Nicholson crazily gazing to his left from a scene in the cult classic, The Shining; and the still of a young Michael McDowell as Alex in A Clockwork Orange, catches your eye immediately. Admittedly, I’ve seen only the very basics of Kubrick’s famed filmography –  where oftentimes I found myself very visually stimulated, but had some trouble grasping and melting into the narrative when studying him in film school. What I appreciated about what the LACMA did through their current special exhibition, was introduce me to the other facets of Stanley Kubrick and, even better, it gave me a renewed sense to delve further into his catalog and explore it once again.

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Stanley Kubrick, regarded as a pure auteur, started out as photographer, then documentary filmmaker,  before taking the reigns of scripted storytelling with his first feature film. The Los Angeles County Museum of Art did a phenomenal job capturing the career of a legend.

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{Gallery entrance.}

You’re welcomed into the exhibition with a large montage of his films precisely edited together on a loop before heading into the main gallery to learn of his early beginnings and take (what took us) the nearly 2.5 hour journey through 16 different projects. The space is more than adequately filled with photos, cameras, lenses, posters, archival footage, costumes, props, set models, notebooks, scripts, sketches, and even his research materials.

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{Production photo slide – Lolita.}

I thought the LACMA’s approach of creating a flow as you moved around the galleries was appropriate and added a mood to the experience that brought the visitor directly into the exhibition. During the exploration of his earlier war and noir based films, the galleries were dark and somber. As we moved toward the future in 2001: A Space Odyssey everything suddenly became overwhelmingly stark and bright. When we hit the galleries exploring horror themes, the carpet turned red. In essence, the attention to detail was not missed.

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{Typewriter, The Shining.}

There are two main things I’ll take away from the Stanley Kubrick exhibition: One, an elevated appreciation for him as a filmmaker who undoubtedly took his craft very seriously. This was seen in the extensive notes marked up on various scripts presented throughout the entire show. It was seen in his dedication to an unaccomplished film project, Napoleon, where the LACMA exhibits mounds of research materials Kubrick culminated during the development stages of the project. And two, because of the spotlight brightly shining on his career achievements (and failures) through this wonderful retrospective, my hope is to be able to re-visit those films with more educated, older, and now wiser eyes. Perhaps this time, I can melt into them a little deeper.

I encourage you to visit soon if you can, and take in Kubrick in a way that you likely never have before. The exhibition runs until June 30th.


COSTUMES // SpartacusA Clockwork Orange, The Shining

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PRODUCTION EQUIPMENT // Mitchell BNC camera, Carl Zeiss high speed lenses

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SET MODELS // The Shining, 2001: A Space Odyssey

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Highlights

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The weather continues to play tricks on us. Warm one day, cool the next, then dreary for the last 3. It was such a sleepy week with plenty of days where I would’ve rather slept in, made a late breakfast, then curled up with a book and a stack of movies. I have to say that before the weather turned ugly on us, I spent quite a few memorable days outside that made me grateful for the simplicity of hanging out by the water. There’s something so comforting in that, that I never get tired of.

I found myself around a lot of small gems that made this otherwise sleepy week a bit more happy. I don’t really have anything major planned this weekend, but would very much like to spend it roaming around a museum with my boyfriend. We’ll see what happens. Have an amazing weekend guys, and thanks for reading!

Here are this week’s highlights…


EAT| the melt

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I’m always game for grilled cheese and was happy to spend an evening at The Melt trying out the new spot that recently opened in Hollywood. (Shhh – don’t tell anyone, but I still prefer Heywood for my fix.)


WORDS| jonathan adler

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I loved reading the manifesto while browsing Jonathan Adler on Melrose.  Number 2 stood out to me most (as well as the slogan pictured at the top of this post.)


VISIT| manhattan beach pier

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Watching the sunset and passer-bys on a perfect Saturday afternoon at the beach. I was happy when I took it and I am happy every time I look at it.


EAT| cupcakes

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I can never resist a cupcake and tried Cupcake Couture’s S’mores flavor. 🙂


SEE| a place at the table

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A significant night this week was at The Nuart Theatre (the front window cardboard cutout gets me everytime!) to see A Place at the Table. It’s a new eye-opening documentary about hunger in America. Please see my full review here. And please see this film.


READ| the host

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I’m finally getting around to reading The Host by Stephenie Meyer, a book I purchased LAST YEAR to read during Christmas that I’ve neglected far too long. I have the resolve to finish before the film opens at the end of the month and it’s really getting good!


A Place at the Table

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Film: A Place at the Table

Location: The Nuart Theatre

Address: 11272 Santa Monica Boulevard, West Los Angeles

I learned something earlier this week that once I really internalized it became completely bewildered then saddened. Apparently, the fact that I can walk into any major grocery store in Los Angeles, California and readily purchase an abundance and plentiful selection of fresh fruits and vegetables is a privilege. Yes, a privilege. And not compared to what one might think in an unfortunate, but obvious third world country sense; but compared to neighboring states in the United States of America.

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Directors Kristi Jacobson and Lori Silverbush take a bleak look at hunger in arguably the wealthiest country in the world in their documentary, A Place at the Table“Food insecurity” or the consistent condition of not knowing where your next meal comes from affects nearly 50 million Americans currently. As told through the eyes of seemingly “normal looking” people you might pass on the street, I really comprehended the efficacy in the statement that everyone has a story, everyone has a struggle, and this struggle is wildly affecting our youth. 

Did I know that people go hungry in this country? Yes, of course I did. Did I know that a large number of people that deal with food insecurity many times have full-time employment, yet cannot feed their families due to poor wages and the harsh economic climate? Sadly, yes. Did I know that people who live in lower socioeconomic parts of this country have to drive upwards of 30 miles round trip to even access fresh produce because it’s not readily available at their local grocery store (even if you live in an urban populated city?). Not fully. Did I know and truly understand the correlation that while Mississippi has the highest rates of obesity in this country, it also has the highest hunger rate? No. 

This is the power of documentary film making.

The film delves into the cause and effect of food insecurity, while linking this growing problem to largely financial, social, and political connotations. This exploration ranges from families that don’t readily live in moderately affluent areas, and therefore, don’t have easy access to healthy food options; to how funding for food assistance programs is being cut at many levels by the Federal Government; to the increase of food banks and charity work to assist the hungry; to how education and political awareness is the answer.

The takeaway from this well-executed and enlightening film is that there is more than enough resources to feed every single person in this country. In fact, America encountered a similar problem 4 decades ago and with the aid of the Federal Government, found concrete solutions to hunger. It’s time to make the underfed our priority again. I would venture to say that the common person (like myself) knows about American hunger, but does not fathom the depth of the issue.

What I take for granted walking into any grocery store, others lack in basic resource. The next time I head for the produce section, I will surely do so with equal parts gratitude and disgust that every American cannot access the sweetness of a strawberry, or the crisp crunch of a bed of lettuce to make a salad.

Please see their website if you’d like to join in on being the change. I encourage everyone to see this moving yet disturbing film. It will surely spark conversation.